hedy lamarr
Hollywood is a place where folks are often recognized more for  their looks than their talent - and actress Hedy Lamarr was no  exception. But it's what she invented in her spare time - to help end  that war - that has history turning a kinder eye, linking her to a  bombshell of a whole different sort. Lee Cowan reports:
She possessed the kind of beauty that was haunting - an almost smoldering sensuality, with an exotic accent to match. 
Even her name - Hedy Lamarr - sounded dark and mysterious. But  although she shared the screen with Hollywood legends like Clark Gable,  Spencer Tracy and Jimmy Stewart, people rarely remember Hedy's talent.
So what got a science writer interested in a half-forgotten  celebrity? Quite simply, Hedy's other side - the intellectual side - and  had it turned out, it might have been the blueprint for success far  beyond Hollywood.
To the untrained eye the drawing is just a maze of wires and  switches. But to Richard Rhodes, it was genius. What surprised him most,  he told Cowan, was "the sheer inventiveness of the invention."
Her life reads like a Hollywood script: The glamorous movie star by  day was, by night, the lonely immigrant channeling an inner Thomas  Edison.
"She set aside one room in her home, had a drafting table installed  with the proper lighting, and the proper tools - had a whole wall in the  room of engineering reference books." That, Rhodes said, was where she  "invented." 
It was a hobby that remained obscured in the shadow of her celebrity -  one she rarely revealed, even to her own son, Anthony Loder: "She was  such a creative person, I mean, nonstop solution-finding. If you talked  about a problem, she had a solution."
It was 1940, and German U-boats were wreaking havoc in the Atlantic  torpedoing ships, very often with women and children aboard trying to  flee the Nazis - something Hedy knew a little about. 
Born Hedwig Kiesler to Jewish parents in Austria, Hedy had married a wealthy arms manufacturer named Fritz Mendl.
She spent many an evening absorbing his talk of top-secret weapons systems with the likes of Mussolini and others. 
But with both the war and the Nazis approaching, Hedy decided to flee  her homeland - and her marriage - and booked passage to Hollywood  aboard the Normandy, a ship she knew was carrying a very famous  passenger, movie mogul Louis B. Meyer.
She was already a name in the industry. Hedy had become infamous for her racy performance in the foreign film "Ecstasy." 
"By the end of the voyage, she had arranged with him, a contract of  $600 a week, which would be $3,000 today, with the proviso that she  learn English," Rhodes said. "Which she pretty quickly did."
Her career took off. But the war in Europe was never far from her  mind. And a chance dinner party with a Hollywood composer named George  Antheil changed everything. 
Like her, Antheil tinkered with ideas. He was famous for composing an  avant-garde symphony using unconventional instruments, not the least of  which were 20 player pianos, all synchronized. 
And that gave the two of them an idea: If pianos could be  synchronized to hop from one note to another, why couldn't radio signals  - steering a torpedo - hop as well? Their inventive partnership was  born. 

 
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